originally released 18 months ago as a very limited 12 inch, hand stamped with custom made sleeve, radio slaves the clone wars, a record that already has a mythological status surrounding it, finally gets a long awaited release. complete with instrumental. accapella and tool, this techno rallying cry of a record is set to dominate the summer and wages war upon the clones. gaining support across the board from marcel dettmann and ben klock to derrick carter and spencer parker, get ready to go to war again this summer.

a remix package which well represent the multifaceted approach of midgar to techno. edit-select opens with a long and groovy rework of lost in the instability , keeps the peculiar synth & basslines of the original cut, and goes further, carrying those elements to deeper dimensions. synthek delivers a stabbing remix of nibelheim , a killer techno cut where powerful broken beats continuously crash into the heaviest sonic waves. alba was originally an interlude solely composed of ambient sounds and ephemeral voices, which evolved with luigi tozzi s interpretation into a sweet and melancholic trip. wata igarashi to close the record, re-imagines pulse width as a mind-stressing experience held in a frame of hollow drones.

dfalt’s latest release brings the music back to where jason was all those years ago, twisting knobs on his beat up old roland 303. this time he steps to the plate with a host of tools including ableton, mpc1000, technics 1200s, various korg koass pads, casio sk-1, amongst many other gadgets and toys. an appreciation fort he old school masters and the mid-90s experimental and electronic beat scene, mixed with jason’s ever evolving production techniques, are what brought dfalt and his latest record to life.
the vinyl lp includes a code for free download of the full album.

claudio coccoluto is going back to print with the dub records and this is release no.2! after spending over a decade in hibernation the claudio coccoluto’s record label the dub comes back to life with a new disco tinged offering from the label boss himself and sets the tone for a full schedule ahead. claudio coccoluto is one of italy’s most famous musical sons, a dj, producer, radio and tv show host and music writer. he plays all over the world at clubs and festivals as well as for brands like mtv and peroni. using everything from the vintage sounds of chicago and detroit to the ultra-modern music coming out of europe and everything else he hears around the world, claudio coccoluto is never afraid of experimenting with pioneering sounds and allowing others to be influenced by his never ending search for the next record.

a third release for the year from deep explorer extends the invitation to allstarr motomusic, aka zurich based producer and deepartsounds founder daniel piu. under his given name, piu has form for house productions dating back to the late 90s but seems newly reinvigorated following the decision to start working as allstarr motomusic, with beauty & simplicity following a fine contribution to the minuendo label. the three original allstarr motomusic exude an old school feeling no doubt developed by years of record collecting and are augmented by a fine remix from anthony nicholson.

this is the second piece of moira audio vinyl only series: colours. 4 tracks, from 4 moira audio s artists drawed around one colour by each record. moiraltd002 - red ep with: 7mirror, niukid, fellowtraveller, khristian k, kristian veron vinyl only.

elusive records keeps growing, thanks to our beloved artists, supporters, and the universe. putting quality first and bringing you the finest of the world’s underground, since 2008. information ghetto (3rd wave, get physical, multi vitamins, pro-tez,) makes his second appearance on elusive, once again proudly exhibiting his rich, distinctive, layered sound, with what is probably the most melodic track on this record. joining him, are two no less exciting finds. andrey burtaev (aka electrosoul system, kos.mos.music, highway records) is shining light at his space-dub project with mega secret weapon dub over moscow, and berliner sebastian albrecht (park recordings) is taking it towards his highly-infectious, precision hi-tech sound. watch out for these guys eps in the nearest future!

the untold stories returns with another double vinyl collection, this time divided into two chapters: chapter iii and chapter iv. all begins with an extended work by denis kaznacheev. then tracks by vlad caia and kaitaro complete the first record. the second record, chapter iv, begins with a warm and laid-back work by ivan lopez, followed by a distinct andrey zots remix. the final side, begins with a track both playful and eccentric by zefzeed, and the chapter is complete with an ethereal lightness from verrina & ventura. so as a collection, 3 darker moodier tracks on the black chapter iii record, and four lighter tracks on the transparent yellow record of chapter iv, make for another exciting release from the untold stories

the next release on first music comes from profile with a beautiful picture cover! its a musical journey and a bomb tool for the upcoming summer months! we doubt that estonian-born artist viive kuks could imagine in 1984 that her euau-forte >viljandi vaade< (trnl. view of viljandi) will be on the record sleeve of a dubtechno record in 2015. moreover, that the birthplace of the music is also viljandi and that the graphics plate was stolen during turbulent times when a lot of countries were liberated. it was quite an off-chance and hard to believe that profile found a copy of the work at his grandparents place, framed and photographed the work for his 2nd vinyl release. and here it is, through countless threads and connections, through the memories of our forefathers. pure liberation.

two pieces of snarling filter house from nyc heavyweights robbie busch aka dj mcboing boing - record dealer to the stars, digger extraordinaire, & dj of sweaty underground parties around the world, and josh dunn - one part of the sorely missed 100 limousines, and one third of the holy trinity that put on new york s legendary foreal people party. for two guys so deeply immersed in the rich history of urban dance music, from the blues & gospel through deep disco, soul, chicago and detroit sounds, you could be forgiven for expecting to hear a rich homage to the sounds of the past. instead we get the future ghost of ron hardy playing the record backwards on a janky turntable with a quarter for a counterweight and fucking shit up in every conceivable way. these two are chiefly concerned with moving things forward, having some fun, and taking no prisoners along the way. golf channel every time !

first pressing in red black splatter! for the true and experienced lovers of authentic techno sound architecture, this record does not need much presentation. cari lekebusch has since the beginning of the 1990s been releasing a steady stream of vinyl records as well as all types of digital formats. since 1986 the personal label project of cari has been going through many phases of change. one of them being the ending of the hyb catalog numbered vinyl releases, and the beginning of the hp and hpx catalogs. to mark a reset and a >return to base<, cari is morphing the grid once again and will now continue the hyb catalog that shifted into the hp and hpx catalogs around 1997. the retro sounding audio-pictures of >return to base 1 & 2< are intentionally created with the various h-productions releases in mind, that came out around 1993-1997. both tracks are created with a cool, stripped down approach and recorded live with only what 2 hands can muster at once. live and direct from the hybrid productions headquarters! and not a cheeseburger break in sight! - with warm regards from stockholm

motor city. the home of hi-tek soul. or simply, the origin. just a few of the names with which to descibe a city in the heart of america that has the power to captivate ones imagination. in the early 20th century it revolutionized transport, ushered in an age of previously unknown mobility and became the automotive capital of the world. during the 60s it gave us motown, one of the most influential r&b and soul record labels to ever exist. and, before the turn of the millennium, it would bring forth another musical revolution: the one called techno music. to abstract division, the city of detroit and its artists are a major source of inspiration. as such, they decided their newest metropolis ep was to be an hommage, a means of giving back. this special package includes an original track that keeps close to the spirit of melodic, rhythmic, minimalism detroit is known for. it also features three very special remixes by close friends oscar mulero - under his trolley route alias (which he hasnt released music under since 2010) - function, who ups the darker ante and marcel fengler who infuses it with his trademark berlin funk.

following 2013s ubiquitous smash untitled and last years heavyweight erotic discourse remixes, paul woolford returns to the hotflush fold with a double-headed cerberus, orbit/ mdma. flexing signature versatility, woolford goes from heads-down to hands-in-the-air in the flip of a record: a dance floor locked in to the twisted sirens of acid rave (orbit) experiences a sudden belly rush as it collectively comes up to piano breakdowns and female chant (mdma). towering and physical, the record epitomises paul woolford’s enduring popularity.

as idle hands reaches its 30th release, it gives us great pleasure to welcome rising talent matt karmill to the fold. to date matt has delivered a strong body of work to labels such as beats in space and yume, as well as dropping the cryptically titled - - - - album on popnoname’s pnn label last year. this three track ep marks his first appearance on the idle hands roster after earning his stripes on the shelves of the shop, and he will be following this record up with an album for us later in the year. the hooky leftfield house constructions on play it continue the thread of adventurous releases idle is championing in 2015, following strategy’s seeds of paradise lp and leif’s broken beat excursions. with a balance struck between experimentation and satisfaction, matt has delivered a record that continues the all important tradition of timeless music that the label always strives for.

the first release from the new malka tuti record label introduces us to xen, a multi talented multi cultural singer, artist and designer from tel aviv. for her debut ep she went into the studio with the red axes lads to produce 2 original tracks for the a side as well as 2 different versions on the b side. after already collaborating with them on their track -this is it- for a correspondant records compliation on 2014, this time she takes a step forward and really brings out her post-cold-wave-some-wave attitude and delivers 2 psychedelic poppy tracks, highly influenced by german krautrock as well as british and french post-punk and israeli late 80s new-wave. on the b-side you can find a massive dancefloor remix from the red axes themselves as well as a secret psychedelic voodoo b-side.

a day by the baltic sea. with a modulating warm summer breeze brx’s first record of his concept label baltic patterns introduces itself and its rough sound. the latitude sends you to a long build up of house patterns surfing on a subtle bassline. the longitude delivers a percussive ride including wavy chords and solid breakwaters. tell your skipper to set sail.

shcaa joins grow label with a record of eerie atmosphere and mercurial mood, completed by an extended denis kaznacheev remix.

very limited 250 run on 180g vinyl in printed sleeve with hand stamped centre labels.
a new vinyl record label founded and run by long time birmingham based producer & dj, etym. the label initially serves as an output for self-penned productions focussing on techno in its many guises. st001 - trial 01 is the first release and is a four track ep. taking in a broad ranging musical spectrum, these tracks range from the dubby, sinister edge of 01.1 and heavy 4x4 rhythm of 01.3, right through to the more melodic sounds of the 909 led workout 01.2 and the swelling juno pads of last track 01.4. all tracks created using hardware synths, drum machines and field recordings.

autoroutes ii by pamplonas iii3s (aka supersobresaturado) is the soundtrack for a 21st-century trip interconnecting continents and generations of acid-house lovers and ravers. this record is a hard-driving journey into (ph)uturistic sounds that takes it back to the old school. iii3s knows that the best road-trips begin and/or end in chicago (which is, after all, the start-point of the legendary route 66) and he knows the start-point of any journey into acid-house is chicagos phuture, the legendary masters whose *acid trax* created the genre in 1986. and so he is humbled to get remix support on this special edition vinyl release from none other than phuture members lothario lee, dj spank-spank, and ron maney aka dj skull.

we left herva & dukwa with a bunch of bangers with their latest ep -it fell down-… we found em back only after few months with their first lifes track longer player featuring an impressive variety of styles but always with their unmissable, raw and twisted up touch. this album of 8 tracks, spread in one twelve and a seven inches, starts on a side with the funky break of -needed-, continuing with the deep driving moment of -amore- and the hip hop beat of -put it on-. on the flip side instead we find the catchy vocal riff of the stomping roller called -freak with us- followed by the soulful ghetto tech vibe of “call it you” and the melancholic, romantic, stoned and rotten lullaby of -tired brass-. more tasty and unusual grooves are included in the tiny wax which close the record up, on a side the peaceful, abstract, suspended and atmospheric dimensions of * play with me* and on the other the glow-fi-sh and -emo--tech wave of -venere-. unmissible!

bon voyage is an ever-shifting constellation of musicians led by paris-based producer and bass player adrien durand. durand was first spotted in 2009 by jamal moss, boss of renowned chicago label mathematics recordings, which released durand s solo effort (impersonnel naviguant) under the moniker les aéroplanes. that first record, done using a very academic house music setup consisting of an eight-track cassette recorder, a drum machine, a cheap analog synthesiser and an even cheaper sampler, caught the attention of such dj s as beautiful swimmer and toby tobias. for his bon voyage project, durand recruited drummer nicolas ballay and keyboard player/engineer maxime kosinetz. while opening for legendary italian dj daniele baldelli, the band caught the attention of chicken lips s steve kotey, who released bon voyage s first two records (sorciers des aéroports, l imposture) on stendec, a new imprint created for the occasion

official re-issue of larry heards the housefactors project!another one of his classics!raw and relentless tracks that went so far from any electronic dance music from that period that to date this is still recognized as larry heards signature sound. with his mr fingers and fingers inc. projects going towards club use, this and his gherkin jerks showed another side of him maybe a darker side,but for sure a more raw and different side with music that sounds as if it came from another planet.jacking tracks that to date only larry heard have made like this. many producers have been inspired or tried imitate his sound with all good intentions, but still, gherkin jerks and the housefactors are some of the most unique projects in house music history. play it loud originally came out in 1988 (!) on black market records. and how cool is it to see an official re-issue on the original label by the original guys who did this almost 25 years ago!eternal respect to larry heard and a big thanks to black market records for making this important record available again.

tangible sound is a brand new record label based in london and paris. over the past few years they have operated on both sides of the channel by throwing intimate parties in unique locations. the maya ep marks their first vinyl offering with two deep and hypnotic tracks from cntrl. the title track * maya* is an upbeat, peak time jam that revolves around a bouncy baseline, intricate drum work and strange sound effects which are sure to melt minds on and off the dance floor. * sound of modulation* is a psychedelic and pensive journey though minimal techno. complete with artwork from astrid de la forest, this release will appeal to those that like their music, stripped back and ultimately about the groove

back in 2013, futureboogie released the fade ep by outboxx, a record that received critical acclaim from the who’s who of music press, helping to propel outboxx on the upward trajectory they’ve managed to maintain since those early releases. unsurprisingly, futureboogie are delighted to get the pair back for more.

hnny, finally back on studio barnhus after debuting with that legendary mariah edit way back in da ‘11. oh, how weve missed him and oh, what a triumphant return to the motherland this impeccable 12 is three pieces of naturally flowing happy-sad house music glazed with that sweet, golden, sticky stuff. artwork by malin gabriella nordin. beauty is everywhere, wed say its most easily found on this record though.

a second release of the year for the emergent common dreams label sees reedale rise producer simon keat join the fold with a pair of thoughtful, pensive deep house cuts. lead track -pressure box- is the track with a sense of unpredictable funk, giving us juicy chords, starry-eyed pads and an overall nice atmosphere with the drums moving ever forward. the b-side azikiwe fuses sporadic arpeggiations with some very thoughtful chord melodies. maybe it could be described as having a more psychedelic twist. another fine house record from the common dreams team.

the fifth installment of the prrukblk series includes 3 buldging techno bits giorgio gigli and ness. leaning towards the more sinister side of techno this record contains everything from off beat rhythms to sinister early morning themes.

a new record straight from outta space!

lakehead returns to nabla for a second release by evolving his rendition of unearthly ambient pads with a tasty three track ep. two parts testimonial, one part interpretation, this record emulates ‘90’s groovy techno with modern melancholic keys tantalizingly hovering over fog drenched surfaces. the a-side sees us start with ‘1991,’ an assertively murky tune that immediately intoxicates with the introduction of keys that manage to invigorate and remain melancholic. following bewitching synth work, a throbbing energetic bass line pieces this number together while releasing suppressed emotion. a true anthem! on the flipside, nabla welcomes zaphod salmon to the fore with a well-taken, minimalist approach in remixing ‘1991’. by sparingly using snippets of hi-hats, claps and snares, zaphod creates formidable tension in an onrushing build up. this mixture of harmonic sounds sensibly reintroduces key elements of the original in a sensation shrouded in suffocating haze. ‚workout trax’ maintains the straight-faced groovy vibe with intermittent bleeps and filthy cymbal work whose jacking undercurrent will keep your feet moving. with its rhythmic nature beat, ‚workout trax’ represents machine funk at its finest. like the moon the strength of its gravitational pull will create a powerful tide swiping unsuspecting subject towards the dancefloor, whetting your appetite by precisely ending when the hypnotic swirl begins to form

deluxe collectors 4 record set salsoul 20th anniversary the original salsoul classics !!

waehlscheibe is back: the swiss label keeps on doing what it does best and releases another truly deep and dubby house record. this time its japanese artist takuya morita known for his releases on morris / audio and adjunct who pleases with soft pads and chords, rich delays and ultra low basses. all four tracks on this record are strictly instrumental and oscillate nicely between deep house and techno. moreover, they cover a wide range of moods suitable for playing at various times of the night. the >placid sunset ep< comes with a special 2nd version of the title track which has been reconstructed and stripped down by s&ro and alessandro crimi from waehlscheibe. as always all tracks have been mastered by above smoke at the hole of dub studio.

for the inaugural release of eglo’s sister label melodies, we bring back a rare disco crossover anthem by taxie. formed in oakland, california in 1978 the band recorded rock dont stop & pressed up limited quantities. remastered from the original tapes, this uplifting dance-floor gem is having a second wind at parties worldwide, and has become a special moment at the you’re a melody nights.
check the included melodies zine included with each record for an interview with the band themselves!

pure badness all over this 1979 jamaican disco-funk odyssey! king sporty should be no stranger to those of you with a keen ear for esoteric underground disco sounds, his tracks have been getting serious play by top shelf, discerning jocks since the 1970 s & his konduko label has dropped many a left-field bomb on unsuspecting dance floors! fire keep on burning is one such bomb, an lp crammed full of unstoppable stripped back island sounds, too many killer cuts to mention but just check out the og version of get on down for starters! an essential & extremely rare record & one that deserves a spot in any self respecting disco lovers collection. %100 heat on here, party jams from start to finish, let s go to the disco!

pittsburgh track authority return with a new single-sided limited edition edits record on the imprint that bears only their own logo. “i always wanted to be in a band” kicks things off in an early 70s soul jazz style, with infectious vocals and catchy horns doing the damage. next, a flute driven cover of the dance classic “lowdown” keeps the disco-funk vibes of the original but with added springtime/summer vibes. both of these have done damage for pta at their gigs, and now they can do damage for you at yours. a fitting end to the magenta logo series!

our ninth record delivers a wonderful sampling of what we call bay area to berlin. that is, these are all tracks made by friends and family who ve moved from california s bay area to berlin.

every now and then, dreams come true and time has come for our special dream project to come alive. diez mil record s launch is marked by one of the most accomplished, respected and sophisticated artist of the last 20 years, that is no other than robert babicz.

introducing the new vinyl only label, public system recordings, co run by matthieu foltyn and eric strykert. the first release is a split series ep from dj spider and grey people. starting off the ep, dj spider s mind field offers a percussive drum riff, warm synths, and a slight off beat rhythmic intensity that moulds together perfectly. next on spider s side is demon seed an intense journey utilizing deep stabbing kicks, delayed snares, whistling synths, and finishes with a soft subtle chant. flipping the record, grey people enters into the well familiar analogue techno spectrum. deep friday builds up with short stabbing cords, flickering snares and a spooky vocal. too much relevance is a rough acid chicago throw back. don t let this one slip!!

nice price deal !!! do you ever listen to a record and worry about its creators sanity? granted, it rarely happens, but in the case of innercity (antwerp producer hans dens) it is a legitimate concern.
the limited vinyl lp includes a downloadcode.

vocalist wayne snow first appeared on max graef s critically acclaimed debut album from last year and later his solo e.p red runner on tartelet records. recently, wayne featured on french producer darius helios ep, which will be out in april on roche music. for this release he s again teamed up with max graef and team tartelet. this second ep rosie delivering a fresh badge of rugged soulfulness over off-kilter chords, body shaking basslines & dusty beats as max does best. combining wayne s falsetto vocals with max s beats and production for a record that heralds the sunshine and a spring of cold beers, rowing boats on the spree and strong sativa.

nice price deal !!! after a year of silence, the mosso imprint returns with a new record charged with perfectly crafted percussions, hypnotic basses and the unmistakable mosso rhythms. 2014 was a calm and introspective year for alejandro, who spent the most part of it writing a soon to see the light album and a series of singles for 2015. ! the catalogue 006 is a blunt call to your feet and basic impulses. it awakens your deepest nomad nature and puts you in movement for the next adventure. ! the a side opens the record and immediately pushes you into the water flow of the dobagan river from where it takes its name. meandering melodies carried by rolling waves, so vigorous that it feels impossible to escape, driving you until the very end of the stream. a sound journey thru north argentinian landscapes. ! formosa on the b side, pulls you against the tide in a slower but not less seductive manner. a laid-back pace of precisely tailored congas opens up the way to a drifting pad filled with tension, slowly swallowing you into an unknown territory. it feels exotic and unexplored, yet so undeniably pleasant.

a separate lineage is the brand new ep on ownlife label. this release retrieves leiras usual footprint sweeping through different intensity levels and soundscapes. genetics supplies the right amount of energy to open the record while no partial truth evokes a rougher sound reminiscent of the 90s. a separate lineage is a showcase of contained pressure, guiding the listener into a hypnotic state. the final track, dry ocean, rounds out the ep as it dives deep into an otherworldly sonic plain.

having produced one third of nas generation-defining illmatic, large professors place on the pantheon of hip-hop heavyweights is already etched in stone. when you add in his groundbreaking debut as a member of main source - or the fact that he has collaborated with luminaries like pete rock, a tribe called called quest, busta rhymes, mobb deep, masta ace, and big daddy kane - it is crystal clear that the mans influence towers high above the history of the hip hop.
with fat beats records’ release of re:living, large professor builds on his already impressive discography with an entirely self-produced record that delivers all the crisp drums, razor-sharp scratches, and innovative uprock grooves that define his signature sound. *i m moving forward,* large says, *but i went back to an earlier formula. with this project i feel like it is the closest that i take it back to that main source style.*
featuring roc marciano, inspectah deck, cormega, g-wiz, fortune, and lord jamar, re:living shines a spotlight on new yorks best voices from the golden era to today. but above all, large professor lets his production do the talking - and with a legacy like his, beats speak louder than words.

for the first reference, sounds of the city is happy to welcome the mysterious spirit of the black 808, responsible for one of the hottest pieces of wax in 2013 for eargasmic recordings in chicago. invasion of the black bass is also following the eargasmic record in terms of style. it s warm in every way and infectious. let s get invaded with invasion of the black bass and invasion of the black house. both tracks share the same chords grid, one could be a reinterpretation of the other. both are very warm and melodic. frenzy in firenze on the other side demonstrates sb8s skills for groovy tools and more dj oriented tunes.

next up on titanic city, needs no introduction, nigel rogers aka perseus traxx has been a staple part on most record bags, a man dedicated to performance outside the box, has produced one of the greatest releases we will surely drop all year. some kind comments in our direction had to surly be returned with a request for a release and did he deliver. nigels first question was *what do you like* - *well we love your m>o>s, bunker, photic fields, snuff trax material*, he returned with a little bit of all. i am not gonna give the whole soaring pads, scraping percussive smears or the frenzied synth lines. this is perseus traxx he always delivers!! there is a rough and raw diy feel to this music that makes it jump out of the speakers and arrest your attention, as is always the case with titanic city.

the patterns are direct recordings of the sps1uw, drum machine solo, without any editing or external effects. the 100 patterns recordings, from number 1 to 99 are gathering in pairs, exception made for the number 1, alone on the first record.the opus are following the chronological order of the recordings.

one of the uks most enigmatic bootleg labels returns for its fourth installment of dancefloor bombs and feel good hits. following the trail blazed by early bootleg pioneers such as ron hardy and john morales, boogiefuturo presents two instant classics for the edits hall of fame. * give me some emotion* features an expertly amped-up sample of a particularly well-known female vocalist (we don’t want to give too much away now). jamie bull’s edit respectfully takes the track into the 21st century, with solid, punchy drums and big room snare reverbs to support the original boogie funk synth lines and staccato guitars. sing along vocals and catchy hooks make this a fine addition to any vinyl junkie’s record bag. ‘lovin’ spree’ continues the boogifuturo tradition of tasteful edits. neil diablo loops an infectious guitar hook with the addition of low growling synths and rhodes keys, to build the track into a crescendo timeless disco strings, chant-along vocals and killer sax solos. an underground classic on the disco scene but never reaching the heights of commercial success, diablo presents an edit to give this forgotten record new life. boogiefuturo is vinyl only and strictly underground, this won’t be played out by everyone – this one is for the purists, the vinyl addicts, the one’s that reminisce over the days when the white label ruled…

introducing dylan stark. 2015s most deserving anti-hero. his quiet rebellion starts here. tropical, celebratory and alive, heartland sounds a like parade and a jungle. it has the cant quite put your finger on it, coming of age pureness of grimes, and the raw emotion of a burial record (but in a joyous way). it is pc music plus animal collective.
the double vinyl lp includes a download code.

concept record alert! fairlights by fort romeau is a tribute to the - technically minded readers might raise an eyebrow - australian computer musical instrument that people like peter gabriel, herbie hancock or kate bush fell in love with during the late 1970s/early 1980s. anyways, if fort romeaus current album is like painting with oil, fairlights is like drawing with permanent marker- to quote the man himself. all based on the word saku, you will experience an epic journey evolving around heart-breaking dance-floor romanticism, jaw-breaking beat exercises, life-affirming ambient digressions, and a general feeling of spring fever.

seb wildblood returns to the skint imprint as a follow up to his 2014, barcelona / blue colour ep. shadowed by his label mate apes, this release sees the two take on either side of the 10 inch with a familiar sound echoed by their church imprint. wildblood ignites the record with the bubbly and soothing concocton of noshi that fows seemingly under the vocals of phantasy afliate kelly lee owens. apes sits close on the fip side with a more club friendly ode to london, mortmer road. an eerie night time synth crawls through the suburban sounds of apes we ve been conditoned with since the up-rise of the church sound.